You
know how life gets - the wild whirlwind of activity that sometimes excites
you and other times makes you feel like you're losing your grip.
On
this particular afternoon last month, about 1,000 miles away from home, I
was riding a bicycle along the green pathway in Québec, Canada. The view
was beautiful: wide open fields, numerous trees, houses, quiet streets.
As
I rode past a small creek, I stopped. It was as if something from deep
inside - some small voice of wonder from many years ago - told me to.
In
this small creek, there might be tadpoles.
And
there were.
I
stood quietly, holding the handles of the bike and watching the odd-shaped
encountered during a week-long visit.
The
point of the trip had been simple enough: to write. And write. And write
some more.
I
had first gotten the idea in high school when I saw a poster advertising a
New England school for artists. Students chose a specialty and spent part
of the summer working on it. It looked good.
A
few years later, I watched a movie in which a group of artists and friends
spent time at the beach, indulging in their writing and sharing it with
each other in readings and discussions.
That
looked good, too.
Last
year, I decided it was time to find a place to go. I wanted to escape
distractions,
dive into my imagination and see if I could write fiction.
I
did find my answer to that question - and more.
After
looking for just the right place, I had chosen to stay at The Writers'
Retreat, a bright yellow Victorian house with three studios limited to one
writer each. Run by Micheline Côté, it offered a quiet
environment, delicious meals, privacy and encouragement. There was even a
bike one could borrow to ride along Quebec¹s green pathway.
The
trip took place after a couple of years that, though they had joys, had
some serious heartbreak as well.
A
personal loss.
Here's
part of the story: About two years ago, I stood in a hospice holding my
father's hand as he died. He had always been a strong man who loved his
family deeply. A few years earlier, he had been diagnosed with lung
cancer. He took chemotherapy - partly for us - and fought the
disease courageously.
Over
the course of four years, he grew weaker physically, but he remained
surprisingly calm. This is not to say he wasn't upset about what was
happening to him. Anyone would be. But he handled it with grace and faith.
A retired Methodist minister, he continued to be a listening ear for
people who were troubled and occasionally to give guest sermons at
churches. When he could no longer walk, he lay in bed and wrote letters of
comfort to family and friends.
In
his last moments of life, his eyes were closed, but he had an expression
that looked like he was seeing something that pleased him.
His
breathing slowed, and then he was gone.
Dad
was not the first person I loved who had died. But his was the death that
was the hardest to adjust to.
I
was 45 and, for the first time, I began to feel old. I grieved, and I saw
and felt the grief of others. A deep-felt realization of the brevity of
life and the reality of death accompanied his passing, followed by an
urgency to live life while I had it.
My
life has been good. There have been wonderful people and opportunities,
and for that I am grateful. But I also have a number of things I want to
achieve that I haven't, and there are times when I feel that very keenly.
The
time was right to pursue one of my dreams: immersing myself in one of the
things I love most.
I
did write while in Québec, and came back with two completed stories and
the beginnings of about three or four others.
And
a personal change.
I
also came back a little changed. The retreat was so peaceful, the schedule
so relaxed, that a few unexpected things happened. One morning I awoke at
4:15 due to a nightmare based on a long-ago experience. It startled me and
kept me up for about two hours. Then it seemed to resolve itself. I think
the nightmare was my mind trying to finally tie up the experience and put
it at peace.
Another
time, I was working on a short story and suddenly thought of a friend who
had died years earlier. We were about the same age and became ill with
similar symptoms at the same time. My problem was not malignant. Hers was.
We each underwent surgery. I lived. She did, too - for a while - but the
cancer came back and took her while she was in her mid-thirties. That is
something I've never completely come to terms with.
I
took that experience, to some degree, and put it on the page.
Not
all of the experiences were so wrenching. Most were quite pleasant.
I
got to know a Canadian writer named Phyllis Spencer, who is working on a
novel that is so well written it should have a successful future. Her
talent impressed me, but even more impressive was her appreciation for
life.
One
evening we went to have dinner in Magog, a village about 10 miles from the
retreat. We returned after dark, and what a trip that was: curving unpaved
roads that, at points, rose so high it looked as though we were going to
drive right off of the tops. Wildlife walking around in the road.
And,
to add a little more excitement, no street lights!
There
was the little cantina within biking distance of the retreat. It had a
sinfully good dish - French fries mixed with brown gravy and small pieces
of cheese - and a few picnic tables so patrons could eat outdoors. One
afternoon, as I had lunch, I listened to a man speak with an American
accent, two men reply to him in French-accented English, and at another
table, a family talk entirely in French. Meanwhile, at a child's size
table, three teen-agers laughed as they tried to seat themselves
comfortably.
There
was the American woman who stopped to introduce herself as I was looking
at an old cemetery. She's one of Tony and Micheline's neighbors and enjoys
meeting the writers who stay at the retreat.
There
was the pleasant man who was walking a dog along the green pathway. We
both said hello and I asked what kind of dog he had. It was then I
discovered he couldn't speak English. He offered his best effort - I think
he was saying the dog was a mix - and we smiled and went our own ways. It
felt good just to meet him.
And
there was more - so much more - that was enriching on both a human and an
artistic level.
In
one week, I had not only the opportunity to write fiction, but to also
learn important lessons - how to take the time to come to peace with
painful memories, how to enjoy watching tadpoles.